News  see also: News Archive


- Just signed up to teach again in the Craven Community College Adult Enrichment Program. "Writing Poetry: Next Steps" will run October 4 - November 8.


- "Leaving the Ceremony" was published in Ponder Review. (For all you writers: it had been rejected by 7 other journals, before assorted revisions. But, it was printed with altered punctuation that didn't make sense to me. Go figure.)


- Long-listed in in the Don't Talk to Me About Love​ Poetry Contest 2017: "Just (us) in Time."


- Longlisted in The Rialto Nature and Place Poetry Competition: "The Loneliness of the Mortal Coil."


















- "Summertime" was selected by Atlantic Coast Landscaping to appear on the banner they are sponsoring for the Banner Project promoting the arts and civic pride in New Bern.


































































































Poetry.  Photography.

Jeanne Julian


You may order my chapbook,

Blossom and Loss, right here

with PayPal. Orders also may be placed through your local bookseller, Longleaf Press, or

Amazon. Thank you!


"My Thoughts Ever Bend Toward You" (above) received Best In Show honors from the Coastal Photo Club in its spring competition. "Couple on St. Peters Roof" and "On the Road to a Broken Heart" (below) placed first and second in the monochrome division.



...My toil here mattered, I believe—
had its place and purpose and effect
for the intellectuals, just like a chalkboard,
the carillon, or a brick in Standish Hall,
with an impact like a prayer’s, maybe:
obligatory, unmeasurable, temporary.

But better to work here, where people talk and think,

than in a circus or a supermarket.


—from "Leaving the Ceremony" by Jeanne Julian



"Autumn Interlude," shot at Washington's Headquarters in Morristown, NJ, in 2012, received top honors in the Coastal Photo Club's mini-competition in June.

Quote of the Month


"The experience of the power of poetry comes before we can name it; no wonder writers are originally and eternally ferocious readers. As a reader of poems, I can feel the power of another person’s dreaming, and there is a great delight and fascination for me in feeling the form of the poet’s dreaming, in all its urgency and intelligence. The immersion in this process—sensing a voice emerging from private dreaming and out into formal clarity—is one of the great pleasures of my life, whether I am the reader or the writer of the poem. As a teacher, I hope to help a writer make his or her poem a true experience on the page: to figure out how to give an inner world, and one’s senses of the outer one, dynamic form."

—Sandra Lim



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